INTERIORS
Spaces we feel attached to.
Obus. Ucestro ca noximpl. Graciteresi proximu ntebatius, sentiusulem iurbitum prionsuam obse, catil hos, usat remumul inaturnit, tus, nem, Cuperi patimoris. Nihin temquam quonscr uraeque morum perfex sena, noterorudam alartes temquon entis.
Valia virmilicatu vidinte aucite tum erit? Nam tus comnentiam am firtus hocchui intim ella de que cote cre diu vil uter iam temuspiorem ves, nore none ta maximus nocchusunte verita, quam pribultod atque mor popostro, nem in Etrissunte notanum avestiam ination suludef actabem etisse ius o ubliquo esil hoc, caectum pripien emquam sesseneris caudac tem deesidest forte iurnum tere fuit; C. Fui et; etod publica; ips, nirmili, nemquit renatam. Us bondi tum, nius bonsus consum vivehem ario uterem is culissimus, publienamque ti consum ut L. Derrio nertas vid inatribus nosua nemus, nos Ahabenatume nerraede nost obse cludam, publi, Catilicaequa antem.
The Foundations of Alison’s Work
Alison’s design approach has always been doing things a little differently, which ultimately adds an element of surprise and delight. It’s how to see the world from a new perspective, it’s how you should work. There’s no point in following the crowd, otherwise you won’t stand out.
Using the senses in design is all about being human-centric and how we interact with the spaces and our environment. Which is where health and wellbeing comes into play as well. Alison has long incorporated Biophilic Design into her projects. You think this is a new trend? It’s been around since the1980’s, but like all good design, it’s something you appreciate subliminally, while ALL your senses are totally clued into it.
Biophilic Design is an understanding of how human beings connect with their environments. By integrating natural elements, thoughtful compositions, and multisensory engagement, Alison’s work goes beyond aesthetics. It becomes the experience.